Let me get this out of the way: I’m really happy the TAG Heuer Formula 1 is back.

I didn’t live through the 80s hype, but I’ve always had a soft spot for that cheerful, racing-inspired watch that didn’t take itself too seriously. And while the vintage versions always looked a bit too plasticky for me (don’t cancel me, collectors), this new one? I love it. It keeps the spirit, but finally looks like a watch I’d actually want to wear every day — and not just ironically.

TAG did a great job capturing the retro vibe without falling into the trap of making it a museum piece. The shape? Nailed it. The colors? Spot on. The energy? 10/10. Even the fact that they went solar is kind of cool. Eco-friendly, no battery changes, and still feels like a legit sports watch. So far, I’m all in.

But then — oh then — comes the price tag.

€1,850. For plastic. (Sorry: biodegradable polymer. My bad.)

Now don’t get me wrong, I get it. The materials are better. The solar movement is neat. The sapphire crystal adds points. And hey, it’s a TAG — not a cereal box giveaway. But still, when I look at this cheerful little thing and its vibe that screams “collect me all,” I can’t help but think… isn’t this watch begging to go full MoonSwatch mode?

Swatch got people queuing for plastic watches like it was the new iPhone. And TAG could’ve done the same — Formula 1 liveries, team editions, tracks of the world. Gotta catch ’em all. But instead, they priced it like it’s already on the podium with champagne in hand. Don’t get me wrong, it’s still charming. But that charm hits a little different when it costs the same as a nice night in Tokyo… for two.

Also, side note: I stumbled across the KITH collab and literally said “meh.” Which is shocking, considering I usually say YES to anything Ronnie Fieg touches — like, he could collab with a toaster and I’d ask for the colorways. So if I wasn’t excited, maybe that says something.

All jokes aside: Am I still excited? Definitely. Do I want one? Absolutely. But will I be daydreaming of a £650 version that makes me feel like I’m building a collection of pit lane champions on a budget? You bet.

Final thought? The Formula 1 is back, it looks better than ever, and deep down, I’m not rooting for this price tag. Not even close. I’ll just keep waiting (and hoping) for another Snoopy MoonSwatch livery, because at least that’s what I call funny, collectible, and budget friendly — all the things a Formula 1 watch revival should be.

Let me say it again. Patek Philippe did not disappoint. 

The face of high watchmaking had a –how can I say it nicely– a “setback” this past October 2024, with its leaked Cubitus collection. The 3 watches that quite literally SHOOK the watch world as well as our flawless perception of the brand and its executives. Full article here.

Especially when the CEO basically called all of us poor peasants… But I digress. 

2025’s Pateks were BEAUTIFUL. I use “beautiful” to reaffirm a point made by Hodinkee’s Ben Clymer when he said: “I need for Patek to be beautiful…” and I couldn’t agree more. I know I’m repeating myself here, but Patek Philippe IS Haute-Horlogerie. Just look at something like the ref. 1518. Do yourself that favor. 

This article is about Patek Philippe’s Watches and Wonders 2025 releases. 

Not all of them, but the ones that I consider to be modern day classics. The watches we will 100% see in auctions in about 40 years from now. The watches that hit every spot. The watches that truly matter.

My number 1, the 5370R.

The Patek Philippe Reference 5370R is a distinguished timepiece that exemplifies the brand’s commitment to haute horlogerie, combining intricate complications with exquisite craftsmanship. It marks the first iteration of this model in rose gold, expanding upon its predecessors by offering a warmer aesthetic. This release continues Patek Philippe’s tradition of creating sophisticated split-seconds chronographs, a complication highly esteemed by watch enthusiasts for its complexity and functionality. In other words, what sold it for me.

Concerning the boring technicalities, the watch is crafted in 18K rose gold, the case measures 41mm in diameter and 13.56mm in thickness, providing a substantial yet elegant presence on the wrist. The piece features a brown Grand Feu enamel dial, a testament to Patek Philippe’s mastery in dial-making (as well as everything else to be honest). The dial is adorned with beige champlevé enamel subdials and a tachymeter scale. The whole package is on a dark chestnut alligator leather strap, secured with a rose gold fold-over clasp. Nothing out of the ordinary.

Okay but what’s inside ? 

At the heart of the 5370R is the manually wound Caliber CHR 29-535 PS, an in-house movement renowned for its traditional architecture, including a column wheel and horizontal clutch. This movement is a culmination of Patek Philippe’s expertise in chronograph design.

This advanced caliber contains a split-seconds chronograph complication. Meaning, it allows the measurement of intermediate times—a feature highly valued in precision timekeeping. Additionally, it includes a tachymeter scale for calculating speed over a known distance. The newcomers must be loving this LOL…

Let me make something clear, this is not a new watch. Prior to the 5370R (R for rose gold), Patek Philippe released the Reference 5370P (P for Platinum) in 2015, featuring a platinum case and black enamel dial. The transition to rose gold with the 5370R introduces a warmer aesthetic and one that in my opinion gives it more depth and emphasizes the point made earlier about Patek being BEAUTIFUL.

I said it before and I’ll say it again, this is my favorite watch from this year’s W&WG.

But we’re definitely not done yet.

IT’S CALATRAVA TIME !

 The Patek Philippe Calatrava Reference 6196P-001, unveiled at Watches & Wonders 2025, made me tear up from joy. This platinum timepiece draws inspiration from Patek Philippe’s storied history, notably the iconic Reference 96. Again, tears. 

I will always ALWAYS love Calatravas. 

Hell, my grail watch is a vintage yellow gold Ref. 96 with Breguet numerals. 

Please note that these watches are from the 50s. As in the 1950s. So to get a 2025 release that is SO true to the original and traditional Calatrava design… I think you get my point.

Specs time !!

The 6196P-001 features a 38mm diameter and a thickness of 9.33mm, crafted from platinum. The case design merges brushed surfaces with a polished bezel and slender lugs. The opaline rose-gilt (salmon) dial adorned with applied white gold faceted “obus”-style hour markers and a small-seconds indicator at 6 o’clock. 

The point here again, is the preservation of the true identity of the “Calatrava”.

Priced at $47,130, it is no “entry level Patek” despite its incredible simplicity and lack of complications. Again, it’s a Calatrava. 

The Patek Philippe 4946R: This one deserves way more applause from us.

So, the Patek Philippe 4946R doesn’t scream for attention. It’s not trying to win chronograph battles or one-up other complications. What it does instead is offer one of the cleanest annual calendars you can wear without feeling like you’re trying too hard. This reference—in rose gold, naturally—keeps things refined, functional, and cool as hell. If the 5370R (Mentioned previously as my fav) is a grand statement, the 4946R is a whisper that still gets heard.

Now for the boring bits (you asked for it):

This model comes in an 18K rose gold case, measuring 38mm in diameter. So yeah, smaller than what most modern buyers are used to, but that’s the point—it’s elegant, not shouty. The dial? Opaline silver-gray with gold applied numerals and leaf-shaped hands. Just enough detail to make it interesting, but not enough to make you stare at it confused. On the dial you’ve got the day, month, 24-hour indication, moon phase, and a date subdial—all in perfect balance. It’s like Swiss graphic design in watch form.

Under the hood (or caseback if you’re being literal), you’ve got the self-winding Caliber 324 S QA LU. That’s Patek’s go-to annual calendar movement—one that only needs adjusting once a year in February. Yes, it’s that smart. And no, you don’t need to take it to your watch guy every other month.

This reference as I said will probably stick around for a while. Why? Because it works. Because it’s beautiful. And because not everything needs a reinvention to stay relevant. The 4946R is for people who understand that winning doesn’t always have to be complicated—even though, in this case, it low-key is.

Closing statement: No matter how many case sizes it gets or materials they make it with, I will always be a certified Cubitus hater. 

Stay tuned for the upcoming indie watch releases article and subscribe to the newsletter to get notified. 

I had so much fun writing this, I love you guys.

Walid Benla.

If there’s one thing Grand Seiko has taught me, it’s that time doesn’t have to scream to be felt.

I’ve always admired the quiet elegance of Japanese watchmaking — the kind of beauty that doesn’t rush to impress, but waits patiently for those who are ready to see. My fascination with Grand Seiko started slowly, from afar, like a story unfolding one detail at a time. Enthusiasts spoke of its dial textures, its uncompromising finishing, its poetic second hands that seemed to glide rather than tick. But nothing compared to the day I actually stepped inside a Grand Seiko boutique — alongside my friend Joshua.

We weren’t there to buy anything. We just wanted to look. But the moment we entered, we were met with something rare: a sense of calm. No pressure. No overwhelming technical jargon. Just warm, genuine omotenashi — that deep-rooted Japanese sense of hospitality. The staff spoke with passion and precision, explaining the movements with such clarity that for once, I didn’t feel like I was sitting for a bar exam. I felt like I was invited.

That’s when I saw the Spring Drive in person. The second hand moved like time was breathing. No tick, no sweep — just this eternal motion. It was unlike anything I’d ever seen. I remember thinking, “This isn’t just mechanical innovation. This is poetry.”

But the moment that truly sealed my obsession came during this year’s Watches & Wonders event.

That’s when Grand Seiko introduced the Spring Drive UFA – Ultra Fine Accuracy.

It wasn’t just an upgrade. It felt like a declaration of intent. This was horology, sharpened like a katana. The new Caliber 9RB2, with its staggering ±20 seconds per year precision, took my breath away. And yet, the real brilliance wasn’t just inside the watch — it was how refined everything else had become.

The case, now just 11.4 mm thick, felt tailored for real wrists. Elegant, discreet, dignified. Even the bracelet had evolved — with a new three-step micro-adjustment clasp, letting you fine-tune the fit in 2 mm increments with a simple click. A small change, maybe. But a meaningful one. Because it shows what sets Grand Seiko apart: they listen. They care.

And then there’s the dial. That Shinshu Ice Forest texture… I could write a novel about it. Inspired by winter mornings in the Japanese Alps, it plays with light like ice catching the sun. Every time you glance at it, it says something different. Subtle. Still. Alive.

Grand Seiko doesn’t build watches for the masses. It builds them for those who seek tranquility in craftsmanship, discipline in detail, and humility in beauty.

As my friend Nabil always says:

“There is no better craftsmanship than in Japan.” 

And I couldn’t agree more.

Arigato Gozaimasu Grand Seiko.

A love letter from Mr. Aiman Hammoud.

In the following piece, let’s take a moment to discover one of the most existentially fabulous releases at Watches & Wonders Geneva 2025: the Hermès Cut collection, reimagined with the Le Temps Suspendu complication — now in a larger diameter (39mm instead of 36mm), rendered in rose gold, and enhanced with bold new dial tone.

Now yes, there were plenty of shiny, head-turning releases this year, but this one stands out for a totally different reason. It’s not just about looks — it’s a concept piece wrapped in elegance. Because, and here’s the twist: it doesn’t just tell time — it lets you turn it off. (And pretend to be Flash for a while)

What Even Is “Le Temps Suspendu” ?

Let’s break it down. “Le Temps Suspendu” literally means “Suspended Time,” and that’s not just poetic marketing fluff. 

With the press of a button, the hands on this watch jump to a fixed position — like they’re frozen — and just stay there.

The kicker? The movement inside keeps running the whole time.
So when you press the button again, the hands snap back to the real time, right where it should be. 

To animate that fascinating machination Hermès had to use the  H912 Movement — a self-winding caliber developed by Vaucher (which Hermès partly owns). To that, Hermès adds its own proprietary Le Temps Suspendu module — the magic trick that freezes the hands without stopping the heart of the watch. So while time appears to stop, the mechanism quietly ticks on in the background, keeping track for when you’re ready to rejoin the timeline.

And here’s a perfect quirky trait woven right into the dial: the petites secondes subdial? It runs counterclockwise on a 24-second rotation. It defies time by running in reverse — just because it can. A small but sharp reminder of the watch’s playful, thought-provoking nature.

Because Hermès believes that sometimes, the most meaningful moments are the ones we don’t measure. The suspended time complication is whimsical, useless in the best way, and entirely poetic — which is exactly why it’s so unique.

Do you want to tune out during a long dinner, get lost in a sunset, or just forget you’ve got a meeting in 20 minutes? Press the pusher. Time, suspended.

(Editor’s Note: Think Doctor Strange’s Eye of Agamotto — but make haute horlogerie)

Variants, Versatility, and Design Language

Meanwhile, the watch’s versatility is cultivated through a range of versions, including two silver-toned dial models — one with a diamond-encrusted bezel — and a one-shot sunburst red dial variant already stirring up collector buzz. 

Adding to its modularity, a system of interchangeable bracelets that features 2 options: a white rubber strap, and a rose-gold bracelet to match the case.

Through all the constituting elements of this timepiece (Design, Concept, Complication, Material…) Hermès embodied its most quintessential “Hermès” definition traits. Elegant. Poetic. Quietly disruptive. Timelessness (quite literally here). It’s a reminder to live in the moment — and choose when time matters. And the fact that Hermès could take something so poetic and abstract — and make it tangible through engineering? PURE MASTERY

My take ?

That said, we’d love to have seen one more size variation: a 36mm diameter — the same size as the original 2024 Cut collection. Why? Simple: choice. 

While more women are embracing bolder, oversized cases, many still prefer traditional proportions or simply have smaller wrists. At 36mm, the Cut would hit that modern sweet spot — contemporary, elegant, and universally wearable — especially for fashion-first buyers and enthusiasts alike.

Spec Rundown: Hermès Cut Le Temps Suspendu

Caliber: Self-winding Manufacture Hermès H1912; 45-hour power reserve
Functions: 360° retrograde hour and minute hands; 24-second running indicator; pusher-operated start-stop function for suspending time

Dial: Sunburst red-tinted or silver-toned opaline
Case: 39mm; rose gold; 100m water-resistance
Strap: Interchangeable rose gold bracelet with butterfly clasp; additional white-coloured rubber strap

Presented as a quiet revolution, the new Rolex Land-Dweller doesn’t lack technical firepower. Its caliber 7135, beating at 5 Hz, shows a clear ambition for precision. The Dynapulse escapement, made of silicon, embodies modernity without sacrificing power reserve (66 hours) or mechanical robustness. On paper, the Land-Dweller ticks all the boxes of a 21st-century Rolex: high-performing, elegant, immaculately finished.

The 40 mm case, with a slim 9.7 mm profile, pairs with an integrated Flat Jubilee bracelet, giving the watch a contemporary, fluid, almost architectural silhouette. That alone is enough for some to see it as a deliberate nod to the Oysterquartz—Rolex’s oddball child born out of the quartz revolution of the 1970s. Technically and aesthetically, the Land-Dweller appears to strike a balance: a clever tribute to the past and a controlled step into the future.

But by trying so hard to strike that balance, the Land-Dweller ends up resembling something Rolex has never been: a follower of trends.

Yes, the integrated bracelet is superbly crafted. Yes, the case is sculpted with the surgical precision we’ve come to expect from the brand with the crown. But come on… are we witnessing the Royal Oak-ification of Rolex? It’s starting to look like the global obsession with integrated sport-chic silhouettes has reached all the way to Geneva. And if we’re being honest, doesn’t this Land-Dweller look suspiciously like the secret lovechild of an Oysterquartz who came back from the plastic surgeon with a photo of a Royal Oak in hand?

And let’s be blunt: the launch price isn’t exactly hiding. It climbs—rockets, even—into the upper stratosphere, bordering on indecent when it comes to precious metal versions (€106,250 for the Everose gold diamond-set edition). So yes, Rolex is setting a new benchmark… but mostly a new psychological price point to drag up the starting prices of future models, even in steel. The Land-Dweller isn’t a watch—it’s a strategic marker.

Honestly?

At that price, I’d rather pick up twenty PRXs from Tissot (automatic ones, even) than give in to this neo-minimalist Rolex with an integrated bracelet.
And if I actually had €106,250 to blow on a gold Land-Dweller, I think I’d rather overhaul my entire watch collection… and buy an apartment in Tangier with a sea view. At least that would come with a real power reserve.

And then there’s the dial. Ah yes, the famous “honeycomb” dial—subtly textured, presumably designed to evoke nature’s ingenuity, the geometric precision of a hive, or maybe just to charm texture-lovers. Let’s be clear: it’s well done. But if you’re going to evoke a beehive, I wish the price didn’t only attract the gilded bees of the financial world.

At this point, we’re no longer talking haute horlogerie. We’re talking high-altitude beekeeping: and the only honey we’re getting here is the one Rolex is using to sugarcoat the pill of its pricing strategy.

Aiman Hammoud.

Hello friends and welcome to our Watches and Wonders 2025 series. A LOT of articles will be published, and each one of them is as important as the other. Short reads with incredible value and deep analysis.

So okay, let’s talk about one of the MANY new releases of this year’s edition of Watches & Wonders Geneva (or as we called it in this week’s editorial meeting: “Horology’s Fashion Week”). A fun one: The Tudor Blackbay 58 with a burgundy dial and bezel. 

But wait a minute, remember when I told you guys in the Longines’ article that burgundy is in style this year? well I visibly was on the wavelength as the design team at Tudor. And yes, I’m taking full bragging rights for that one.

Although don’t be fooled, this tone-on-tone colour choice isn’t ENTIRELY NEW; if you dive deep enough into Tudor’s archive, you’ll know that it’s a remake of a 1990s Submariner prototype (ref. 79190) that never made its way to the hands of consumers (and which pictures aren’t readily available on the internet).

Aside from the shiny new look, the watch also got an upgrade under the hood. It’s powered by the in-house self-winding Caliber MT5400-U, which has achieved METAS Master Chronometer certification. This certification ensures a precision rating of 0/+5 seconds per day, along with a resistance to magnetic fields up to 15,000 gauss, and a 65-hour power reserve. 

The 39mm stainless steel case still hits that sweet spot for vintage-inspired proportions, and this time, it comes with options — a five-link bracelet, a classic three-link, or a comfy rubber strap; all with a T-fit clasp—Tudor’s favourite. More on bracelets in Walid’s article. 

However, that DARING shade of burgundy has sparked some debates amongst enthusiasts like: “it doesn’t look the same IRL”, “It hits better on-screen”.

We think this new addition to the lineup, while it may not seem like much on paper, is yet another confident move in Tudor’s sans-faute parcours since 2012. 

We love how the brand keeps things low-key yet meaningful through solid, thoughtful updates — and the mile-long waitlists to get this beauty will attest to that.

And let’s be real guys, it is pretty.

Walid has given it his seal of approval with the following statement : “I’m completely mesmerized by it and seriously considering it” and let me tell you, my friend KNOWS his stuff but you guys already knew that.

Spec Rundown: 

The Tudor Black Bay 58 Ref. M7939A1A0RU-0001

Movement: Self-winding METAS-certified Manufacture Calibre MT5400-U and a 65-hour power reserve
Functions: Hours and minutes; central seconds

Case: 39mm; stainless steel; water-resistant to 200m
Dial: Burgundy

Strap: Five-link or three-link “rivet-style” stainless steel bracelet with polished and satin finishes or rubber strap; all configured with a “T-fit” clasp.

The most beautiful watches this year are the ones on gold bracelets. Period. 

I wanted to start by making that strong statement, to set the tone for this article and the ones to come. Because my dear friends, this year’s W&W was actually really good, and we intend to highlight the beauty and technical genius behind some of the most notable releases (From both big and smaller brands, more to come in the upcoming hours)

And The Most Beautiful Bracelet Award Goes To… 

For those of you who don’t keep up with the watch world drama, a big chunk of the criticism directed towards watch brands and their novelties has been about their bracelets. AKA the most important part since it’s what actually makes them wearable and not pocket watches.

The links, the clasp, the adjustment technology… And the overall aesthetics of the whole thing.

Let me cut to the chase and go through 3 of the watches with (in my humble personal opinion) the most mesmerizing bracelets from this year’s Watches & Wonders.

(In Order)

Reverso Tribute Monoface Small Seconds

Design wise, this sits at the top spot for me. 

Jaeger-LeCoultre is back with another stunning take on the Reverso Tribute Monoface Small Seconds, this time in a refined pink gold execution (ref. Q713216J). If you’re familiar with the Tribute lineup, you’ll know JLC has been offering similar models in both steel and pink gold for some time. But this one comes with a fresh twist: a grained-texture pink gold dial that plays beautifully with light, adding an extra layer of sophistication to the already iconic Art Deco design.

The biggest talking point, though? That bracelet. JLC has paired this Reverso with a pink gold Milanese mesh-style bracelet, a rare sight in the collection and one that brings a distinctly vintage charm while maintaining a luxurious presence. It’s flexible, comfortable, and secured with a sliding clasp for a precise fit—perfect for those who want an elegant, dressy Reverso with a bit of extra flair.

Of course, inside the sleek 27.4mm x 45.6mm x 7.56mm case, you’ll find the in-house, hand-wound caliber 822. This ultra-thin movement keeps things traditional with hours, minutes, and a small seconds display, all while delivering a respectable 42-hour power reserve. It’s a nod to the Reverso’s long heritage of manually wound movements—just like the ones that powered the earliest models in the 1930s.

I can’t not come back and say this again but, that pink gold-on-pink gold combo !! God… I can’t wait to visit my Jaeger friends.

The Rolex Perpetual 1908 On The Settimo Bracelet

At Watches & Wonders 2025, Rolex has given a refined glow up to its Perpetual 1908 collection by introducing the Settimo bracelet, a fully polished seven-link design crafted in 18-carat yellow gold. This new bracelet enhances the watch’s dressy appeal, transforming it into a piece that seamlessly blends horological precision with jewelry-like sophistication.

The Settimo bracelet comprises seven small, highly articulated links polished to a mirror finish, offering mainly flexibility. It features a concealed Crownclasp, keeping the watch’s clean and uninterrupted aesthetic. Additionally, Rolex has developed a special attachment system for connecting the bracelet to the middle case, for which a patent has been filed. Notably, the Settimo bracelet is exclusively reserved for the 1908 model, underscoring its unique status within Rolex’s catalogue.

While the bracelet introduces a fresh dimension to the 1908, the watch itself retains its distinguished features. A 39mm diameter, 9.5mm thickness with an in-house calibre 7140. It comes in both black and white dial options, maintaining the distinctive handset that combines a Breguet-style hour hand with a sword-style minute hand.

On our Time-Telling Watch Club Facebook group, one of the members asked “Why would someone buy this €35k Rolex over a Calatrava?” 

And I replied:

“Although I have been guilty of comparing the 1908 to the Calatrava multiple times, I don’t think it’s fair to do so.

The 1908 has Cellini roots that nobody is ever allowed to underestimate or undermine. That’s not me being biased, and you guys knooooowwww how much I dislike modern Rolex.

To keep it short and to let you guys enjoy the upcoming article, the answer to the question would be that this watch is Rolex dipping its finger into the design well. Meaning, all we’re seen are generic and predictable pieces that show 0 creative instinct from their design team.

But this one is actually genuinely very pretty. A time only gold dress watch. Everything but a tool watch (Rolexes are typically tool watches).

Notice how the bracelet is NOT integrated on this one while it is in the 2526 Pateks…”

Let me also add, the geezer watch effect is in full action here. What I mean by that is, a Calatrava will not give you the same smooth and spotless effect the Settimo’s hidden clasp will do. The closest Calatrava equivalent as I mentioned before would be the 2526 or even the 2586 and NONE of them will hug your wrist like the Rolex will. They also don’t have an open caseback for their automatic in house movements.

This obviously is very subjective and to be fair, not enough to justify the absurd price tag to your life partners or financial managers.

A. Lange & Söhne ODYSSEUS in 750 HONEY GOLD

They COOKED with this one. 

At Watches and Wonders 2025, A. Lange & Söhne introduced the Odysseus Honeygold, a refined iteration of their sport-luxury timepiece. This model showcases the brand’s exclusive Honeygold alloy, a proprietary 18-carat gold known for its warm hue and exceptional hardness, surpassing that of traditional gold alloys. The use of Honeygold not only enhances the watch’s aesthetic appeal but also contributes to its durability. I mean it’s still a sports watch.

The Odysseus Honeygold features a 40.5mm case with a thickness of 11.1mm, maintaining the dimensions of its predecessors. What we’re here for  is the integrated Honeygold bracelet, marking the first time this material has been used for the bracelet in the Odysseus line. The bracelet’s five-row design integrates seamlessly into the case, ensuring both aesthetic harmony and supreme comfort. It includes a micro-adjustment mechanism, allowing wearers to fine-tune the fit without removing the watch.

The Odysseus collection, introduced in 2019, marked A. Lange & Söhne’s entry into the luxury sports watch segment. Initially released in stainless steel with an integrated bracelet, the line expanded to include white gold variants paired with rubber or leather straps. The introduction of the Honeygold model with a matching bracelet represents a fusion of the brand’s proprietary material with the sport-luxury design ethos of the Odysseus. 

People have been loving this one. And although it’s limited to 100 units, enthusiasts and critics have praised the Odysseus Honeygold for its harmonious blend of luxury and sportiness. The warm tones of the Honeygold alloy, combined with the brown dial, have been highlighted as particularly appealing, offering a distinctive alternative to traditional steel sports watches. 

3 watches. 3 beautiful gold bracelets. No Cubitus propaganda, that’s for Hodinkee

Do you agree with this ? Did I miss something ? Tell me in the comments.

Stick around for the W&W 25 articles spam !